In this evening’s concert, the organ of Musiikkitalo will be heard together with the orchestra for the first time.  
	
			Composer Kaija Saariaho donated a million euros to the Musiikkitalo Foundation in 2017 towards the construction of an organ in the concert hall. Work on what is one of the world's largest concert hall organs was completed last autumn. In this evening’s concert, the organ will be heard together with the orchestra for the first time. “The instrument plays so that it fills the hall and comes close to the audience, even on the listener’s skin,” says the evening's soloist Jan Lehtola.
                                         
        
                                                                            
Jukka-Pekka Saraste
Jukka-Pekka Saraste, now beginning his term as Chief Conductor and Artistic Director of the Helsinki Philharmonic Orchestra, has established himself as one of the outstanding conductors of his generation. Born in Heinola, Finland, in 1956, he began his career as a violinist. Today, he is renowned as an artist of exceptional versatility and breadth. He maintains a particularly strong connection to the works of Beethoven, Bruckner, Shostakovich, Stravinsky and Sibelius and is internationally celebrated for his interpretations of Mahler. During the 2023/2024 season, together with the HPO, Saraste will delve deeper into the symphonic heritage of Sibelius, Mahler and Bruckner over several extended concert periods, as well as highlight composers and music of our own time.
As head of the Artistic Leadership Team of the Helsinki Philharmonic Orchestra, Saraste emphasises the importance of music for both society and individuals.
”Music is a particularly strong part of Finnish culture, and the Helsinki Philharmonic Orchestra itself plays a significant role in building our identities. As I begin my term as Chief Conductor, I want to engage in the orchestra’s efforts to be the orchestra of all Helsinki residents. The brainstorming between the Artistic Leadership Team and members of the orchestra has been very close. Experiencing music as part of a community is one of the greatest things an orchestra can offer its listeners.”
Jukka-Pekka Saraste’s previous positions include the principal conductorships of the WDR Symphony Orchestra in Cologne, the Oslo Philharmonic Orchestra, the Finnish Radio Symphony Orchestra, the Toronto Symphony Orchestra, and the Scottish Chamber Orchestra. He has also served as Principal Guest Conductor of the BBC Symphony Orchestra. As guest conductor he appears with the major orchestras worldwide and in recent years conducted the likes of the Orchestre de Paris, the London Philharmonic Orchestra, the Tonhalle-Orchester Zürich, the Deutsches Symphonie-Orchester Berlin, the Seoul Philharmonic Orchestra and the NHK Symphony Orchestra.
Saraste considers it important to coach and mentor musicians at the beginning of their careers. He is a founding member of the LEAD! Foundation, a mentorship programme for young conductors and soloists that has run projects in Sweden, Switzerland, Germany and Bulgaria, amongst others. The LEAD! Masterclass in summer 2023 was held once again in conjunction with the annual Fiskars Summer Festival, where a multinational symphony orchestra of young musicians worked under the direction of Saraste and guest artists.
Jukka-Pekka Saraste has been awarded for his merits in the field of music with the Pro Finlandia Prize, the Finnish State Prize for Music and the Commander of the Order of the Lion of Finland.
www.jukkapekkasaraste.com
Gustav Mahler: Symphony no. 6 in A minor
At its premiere in Essen in 1906, the Symphony no. 6 in A minor (sometimes known as The Tragic) by Gustav Mahler (1860-1911) appealed to many above all because of its colour and the logicality of its musical narrative. There was certainly plenty of colour to be achieved with an orchestra that included quadruple winds, 8 French horns, 6 trumpets, 2 harps, a celesta and a variety of percussion instruments. 
Though the symphony has no official programme, Mahler hinted that it tells of a hero who is finally mown down by fate. While the works of Mahler always reflect his personal experiences, thoughts and feelings, his music is not necessarily autobiographical or related to ongoing events in his personal life. On the contrary: when he composed the dramatic, tragic Symphony no. 6 in 1903-04, his life was far from gloomy. He was happily married, and well on his way to making his mark as a conductor at the Vienna Opera. 
The romantic second theme of the first movement, which introduces the hero in all his glory, is said to be a musical portrait of his wife, Alma. The three hammer blows in the last movement were, according to Mahler, to be “brief and mighty, but dull in resonance and with a non-metallic character (like the fall of an axe)”. Thus fate fells the hero “like a tree”. 
| Violin 1 Jan Söderblom
 Kreeta-Julia Heikkilä
 Eija Hartikainen
 Maiju Kauppinen
 Helmi Kuusi
 Elina Lehto
 Ilkka Lehtonen
 Jani Lehtonen
 Kari Olamaa
 Kalinka Pirinen
 Petri Päivärinne
 Satu Savioja
 Elina Viitasaari
 Totti Hakkarainen
 Angeles Salas Salas
 Johannes Põlda
 
 Violin 2
 Anna-Leena Haikola
 Kamran Omarli
 Heini Eklund
 Maaria Leino
 Teppo Ali-Mattila
 Krista Rosenberg
 Terhi Ignatius
 Anna-Maria Huohvanainen
 Sanna Kokko
 Virpi Taskila
 Mathieu Garguillo
 Anne Paavilainen
 Pia Sundroos
 Hanna Teukku
 
 Viola
 Atte Kilpeläinen
 Torsten Tiebout
 Petteri Poijärvi
 Lotta Poijärvi
 Kaarina Ikonen
 Tiila Kangas
 Ulla Knuuttila
 Carmen Moggach
 Mariette Reefman
 Liisa Orava
 Aida Hadzajlic
 Ada Koivukangas
 
 Cello
 Lauri Kankkunen
 Tuomas Ylinen
 Basile Ausländer
 Mathias Hortling
 Veli-Matti Iljin
 Jaakko Rajamäki
 Ilmo Saaristo
 Aslihan Gencgonül
 Fransien Paananen
 Sami Mäkelä
 
 Bass
 Ville Väätäinen
 Pauli Pappinen
 Tuomo Matero
 Paul Aksman
 Eero Ignatius
 Venla Lahti
 Vilhelm Karlsson
 Yordano Nunez
 | Flute Elina Raijas
 Niamh Mc Kenna
 Päivi Korhonen
 Jenny Villanen
 Hanna-Kaarina Heikinheimo
 
 Oboe
 Hannu Perttilä
 Jussi Jaatinen
 Nils Rõõmussaar
 Paula Malmivaara
 Tõnis Traksman
 
 Clarinet
 Osmo Linkola
 Heikki Nikula
 Nora Niskanen
 Harri Mäki
 Laure Paris
 
 Bassoon
 Mikko-Pekka Svala
 Noora Van Dok
 Erkki Suomalainen
 Pekko Aakko
 Arvid Larsson
 
 Horn
 Mika Paajanen
 Ville Hiilivirta
 Miska Miettunen
 Jonathan Nikkinen
 Sam Parkkonen
 Joonas Seppelin
 Seppo Parkkinen
 Marian Strandenius
 Pasi Tiitinen
 
 Trumpet
 Thomas Bugnot
 Mika Tuomisalo
 Pasqual Llopis Diago
 Alessandro Chiavetta
 Tomas Gricius
 Touko Lundell
 Ilari Tuominen
 
 Trombone
 Valtteri Malmivirta
 Anu Fagerström
 Francisco Couto
 John Kotka
 
 Tuba
 Jesper Kramer-Johansen
 
 Timpani
 Tomi Wikström
 Mikael Sandström
 
 Percussion
 Xavi Castelló Aràndiga
 Pasi Suomalainen
 Sampo Kuusisto
 Alex Martin Agustin
 Elmeri Uusikorpi
 
 Harp
 Minnaleena Jankko
 Katilyne Roels
 
 Keyboard
 Mirka Viitala
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