Piracy, love and religion are the ingredients of Ethel Smyth’s psychological drama The Wreckers. The strange bird Richard, the stuttering beauty Dorabella, the cathedral organist George and his bulldog Dan – Edward Elgar's circle of friends are immortalised in the composer's Enigma Variations. But whose portrait is the 13thvariation, at the beginning of which Elgar wrote three enigmatic asterisks?
New! This concert has no intermission and will also be performed as a matinee on Friday afternoon.
Ethel Smyth (1858–1944) was a British composer of both orchestral and chamber music, solo songs and operas. She suffered from many of the prejudices against women composers, though her opera Der Wald was the first by a woman ever to enter the repertoire of the New York Metropolitan. Some said her music was “too masculine”, but she was an ardent feminist and an active suffragette who spent two months in prison. The libretto of The Wreckers was originally in French but translated into English for the first London performance in 1909. It tells of the villagers – the wreckers – in the English county of Cornwall who wrecked ships by putting out the lighthouse beacon during storms to lead ships onto the rocks. They then killed the sailors and shared out the cargo. The priest’s wife begins an illicit affair with a young fisherman, but they are caught by the lighthouse keeper and left to drown on the incoming tide.
Returning one evening, exhausted, from his job as a teacher and violinist, Edward Elgar (1857–1934) sat idly toying with a theme he had just invented, and it occurred to him to vary it in ways that capture the characteristic feature of a friend or relative. Encouraged by his wife, he later arranged them as a piece for orchestra called The Enigma Variations. It was a tremendous success and marked the turning point in his career.
Each variation is thus a portrait of persons whose names are mentioned in the score either as initials (e.g., W.N. = Winifred Norbury) or by a pseudonym (e.g., Nimrod = August Jaeger, Elgar’s publisher). His wife is there (C.A.E. = Caroline Alice Elgar) and so is he (E.D.U. = his wife’s pet name for him, Eduard). But Elgar also loved musical riddles: enigmas, and announced that the theme of the variations was a counter-melody or accompaniment to a well-known tune. He never revealed what this was, but theories abound.
Joonas Pitkänen, born in 1986, is a Finnish conductor residing in Basel, Switzerland. He attained his cello soloist diploma and graduated in Basel in 2013. Subsequently, in 2016, he earned his Master's degree in orchestral conducting in Würzburg.
In 2023, Pitkänen won the 1st prize in the Città de Brescia – Giancarlo Facchinetti conducting competition and received a distinction in the 11th Grzegorz Fitelberg International Competition for Conductors.
The Helsinki Philharmonic Orchestra holds a special place in Pitkänen’s heart. This sentiment is rooted not only in the fact that his father played in the orchestra but also because of the unique, profound string sounds the orchestra produces. Pitkänen expresses his humility at having the opportunity to do Elgar's Enigma Variations with them.
Pitkänen is a LEAD! artist, and the co-founder and Artistic Director of the Finnish concert series Feeling Blue & White in Basel. Since 2017, Joonas Pitkänen has been the Principal Conductor of the Akademisches Orchester Freiburg and has conducted the Stadtorchester Zug since 2021.
| Violin 1 Jan Söderblom Kreeta-Julia Heikkilä Totti Hakkarainen Eija Hartikainen Katariina Jämsä Helmi Kuusi Ilkka Lehtonen Júlia Mušáková Kari Olamaa Petri Päivärinne Kalinka Pirinen Aet Ratassepp Satu Savioja Elina Viitasaari Taru Kircher Violin 2 Anna-Leena Haikola Teija Kivinen Maaria Leino Heini Eklund Matilda Haavisto Anna-Maria Huohvanainen Terhi Ignatius Sanna Kokko Liam Mansfield Harry Rayner Krista Rosenberg Virpi Taskila Lotus Tinat Anna Vähälä Viola Torsten Tiebout Lotta Poijärvi Aulikki Haahti-Turunen Tuomas Huttunen Kaarina Ikonen Tiila Kangas Ulla Knuuttila Carmen Moggach Mariette Reefman Markus Sallinen Hajnalka Standi-Pulakka Aida Hadzajlic Cello Samuli Peltonen Beata Antikainen Jaakko Rajamäki Jaani Helander Veli-Matti Iljin Ilmo Saaristo Aslihan Gencgonül Tommi Wesslund Anton Kukkonen Maria Morfin Venäläinen Bass Ville Väätäinen Paul Aksman Eero Ignatius Juraj Valencik Teemu Kauppinen Joonas Korjus Saara Lassila Yordano Nunez | Flute Hanna-Kaarina Heikinheimo Yuki Koyama Janette Leván Oboe Jussi Jaatinen Nils Rõõmussaar Paula Malmivaara Clarinet Anna-Maija Korsimaa Heikki Nikula Björn Nyman Bassoon Mikko-Pekka Svala Noora Van Dok Erkki Suomalainen Horn Ville Hiilivirta Sam Parkkonen Joonas Seppelin Ingrid Aukner Trumpet Pasi Pirinen Pasqual Llopis Diago Obin Meurin Ilari Tuominen Trombone Anu Fagerström Jussi Vuorinen Darren Acosta Tuba Ilkka Marttila Timpani Tomi Wikström Percussion Xavi Castelló Aràndiga Mikael Sandström Pasi Suomalainen Alex Martin Agustin Fabian Paul Harp Minnaleena Jankko Katilyne Roels Keyboard Susanne Kujala |
Yes, but only before or after the concert. During the concert we just want you to enjoy the music. This way you won’t disturb the musicians or other audience members.
Only the orchestra has a dress code. You can dress as you like.
You can give the ticket to a friend or donate it to a music student by calling 09-3102 2700 or sending an e-mail to helsinki.philharmonic@hel.fi by 3pm on the day of the concert.
